RECALL
A CGI film constructed from photogrammetry scans — a bar in Jerusalem, shuttered by war, and the man who worked there, duplicated in 3D, seated across from himself. Three instances of the same body, one space, real voices sampled from real recordings. Eight minutes of compressed time: father and son, commander and soldier, two friends at the edge of a decision. What happens inside when war happens outside.
Recall was built as much as it was grieved. Photogrammetry as memory work - to scan a place before it disappears, to duplicate a body before it fractures. The technology holds what the mind resists: the texture of a bar stool, the geometry of a familiar room, the face of someone who was there. Animation became the language of ambivalence — movement without resolution, presence without answer. A film made to survive a call with no answer.