A single photogrammetric scan of a bedroom in Jerusalem, captured between one war and the next.

Made after returning from Gaza and before the war in Lebanon broke out, the film holds a specific emotional register — not narrative, not documentary, but something closer to a residue. The entire work is constructed from one scan, rendered in Unreal Engine and processed through Polycam: a room frozen in point-cloud data, carrying the weight of a moment that was already slipping. An early experiment in single-scan filmmaking, made just before the tools themselves transformed.